Soprano Melody Moore has appeared on many of the leading opera stages of the world including San Francisco Opera in the title role of Tosca, Susan Rescorla in Heart of a Soldier, Mimì in La bohème, and the Countess in Le nozze di Figaro; Houston Grand Opera as Julie in Show Boat, Marta in the American premiere of Weinberg’s The Passenger, the title role in Carmen, Dorabella in Così fan tutte, and as Freia in Das Rheingold; English National Opera as Mimi and as Marguerite in Faust; New York City Opera as Rita Clayton in the New York premiere of Stephen Schwartz’s Séance on a Wet Afternoon and as Regine St. Laurent in Rufus Wainwright’s Prima Donna; Los Angeles Opera as the Countess in Le nozze di Figaro and in productions of Der Zwerg and Der Zerbrochene Krug; and at the Washington National Opera in the title role of Catán’s Florencia en el Amazonas.
In the 2016-2017 season, Moore returns to the Los Angeles Opera to sing the title role of Tosca as well as to cover Lady Macbeth in Verdi’s Macbeth. Moore will make both her role and house debuts in the title role of Janáček’s Kátya Kabanová in a new production at the Seattle Opera, and she will bring her portrayal of Senta in Der fliegende Holländer to the Austin Opera for her house debut. Her concert work this season includes the Bruckner Te Deum with the Atlanta Symphony Orchestra led by Donald Runnicles and holiday concerts with the San Francisco Gay Men’s Chorus.
Moore’s last season included her house debut at L’Opéra de Montréal as Cio-Cio San in Madama Butterfly. At the Washington National Opera, she participated in Artistic Director Francesca Zambello’s highly acclaimed production of the Ring, where she sang Freia and Ortlinde under the baton of Music Director Philippe Auguin. She also sang Washington National Opera’s world premiere of Philip Glass’s revised Appomattox, in a new production by Tazewell Thompson and conducted by Dennis Russell-Davies. Her concert performances included recitals at Carnegie Hall and the Collaborative Arts Institute of Chicago, as well a program featuring suppressed music of the Holocaust presented under the auspices of the Atlanta Opera.
Highlights of recent seasons include Macbeth and Der fliegende Holländer at the Glimmerglass Festival, The Passenger at the Lincoln Center Festival, the title roles of Manon Lescaut at New Orleans Opera and Tosca with the Lyric Opera of Kansas City, Pamina in Die Zauberflöte at Opéra de Bordeaux, and Donna Elvira in Don Giovanni with the Atlanta and Colorado Operas.
Melody Moore has appeared on the concert stage of the Bavarian Radio Symphony in performances and recording of excerpts of Gordon Getty’s opera, Plump Jack, conducted by Ulf Shirmer and with the New Century Chamber Orchestra conducted by Nadja Salerno-Sonnenberg. She has joined Rufus Wainwright for gala concerts at the Kimmel Center in Philadelphia and at Roy Thomson Hall in Toronto and has sung Beethoven’s Ninth Symphony with the Madison Symphony and at Festival of the Arts Boca.
A graduate of the Cincinnati Conservatory of Music, Melody Moore is a former Adler Fellow of San Francisco Opera and Merola Opera Program participant. Notable conductors with whom she has worked include Kent Nagano, Donald Runnicles, John DeMain, Patrick Summers, Ulf Schirmer, and Roy Goodman. Stage directors of productions in which she has participated include John Copley, Ron Daniels, Des McAnuff, Ian Judge, Jonathan Miller, David Pountney, and Francesca Zambello.
Last updated: October 2016