“La soprano estadounidense Melody Moore ha abordado el rol titular en escenarios como las Óperas de San Francisco y Los Angeles, y demostró una convincente compenetración vocal y actoral con el personaje, en particular en el exigente segundo acto, donde evitó los efectismos en los que caen algunas colegas, desplegó un acertado lenguaje corporal (en particular en su tensa interacción con Scarpia) y manejó muy bien su voz cálida, atractiva y de buenos agudos, entregando además una efectiva y contenida versión de su famoso momento solista Vissi d’arte.”
“Detrás del Telón de Tosca” was held on Tuesday June 19 at the Sala Arrau of the Municipal de Santiago. On this occasion, the journalist and opera critic Joel Poblete presented, together with the creators of the staging and the singers, the next opera of the 2018 Season of the Municipal de Santiago.
Click here to listen to the recording.
On March 8 and 10 of next year, Melody Moore sings in both Il tabarro and Cavalleria rusticana in Dresden’s Philharmonie im Kulturpalast. The rest of the cast includes Brian Jagde, Lester Lynch, Elisabetta Fiorillo, Roxana Constantinescu, Khanysio Gwenxane, Simeon Esper and Alexandros Stavrakakis, with Marek Janowski leading the Dresdner Philharmonie.
These performances will be recorded for a future album release.
The Collaborative Arts Institute of Chicago (CAIC) hosted the Chicago premiere of soprano Melody Moore in the Penthouse of the Logan Center here in Hyde Park on Sunday afternoon. The music was glittering and glorious, with Moore creating sumptuous sound and Shannon McGinnis offering able and astute support at the piano.
Melody Moore travels to Santiago de Chile to star in Puccini’s Tosca on July 13, 17, 21 and 23. Leonardo Caimi sings Cavaradossi and Elchin Azizov is Scarpia, with Konstantin Chudovsky conducting.
Tosca is one of Ms. Moore’s signature roles and she has received wonderful critical acclaim for it.
“Moore delivers a brilliant Vissi d’Arte that is very sensual, captivating and descriptive of the inner tumult that the Diva Floria has to face with the unwanted advances of Scarpia.”
Mountain Lake PBS
For more information and tickets, visit the website of Teatro Municipal de Santiago
“As so often with HOT productions, the evening’s highlight was the voices. As Tatyana, Melody Moore’s powerful, warm soprano set the opera’s moral compass — as soon as he heard her, Onegin should have known she would win out”