For the American soprano, the important thing is to always keep the character relevant and realistic. “I love our director because Jose Maria Condemi is a thinking director, he actually thinks how much time has passed between this event and that event and what would have happened in that time. Often you would see Tosca come up to Act three with her full regalia dress, a crown and some big cloak made of velvet. And it’s not realistic because she just got off a safe passage to get out of the city and she’s been told at what time this fake execution is going to happen. So she would have had time to go and make herself a bit more discreet to be running to the streets and save Cavaradossi. You don’t do that in a full gown and a crown! You just don’t! Andrew is a real persons’ director. He wants the action to be realistic, so there is not a lot of parking and barking.” [Referring to the tendency of some singers and productions to stand up and sing without much acting].
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